Suona is rather unique. It is sort of a crossover between brass and woodwind. The sound of Suona is energetic, unapologetically harsh, abrasively brash, and proud-to-be-so-loud, blasting out everythings in sight. The sound is simply wild. Suona is believed to be derived from the Persian Zurna and slowly adopted by the Chinese in the course of history. By the time of the Ming Dynasty (14th – 17th century), Suona is documented as a prevalent instrument in China. Today, Suona is still widely used at the local grassroot events such as weddings or religious festivals, especially in the rural area. Some modified versions of Suona are now the official instruments of large traditional Chinese orchestras.
ChineeSuona contains two different Suonas: a Big Suona in G (note range: D4-E6), a Small Suona in D (note range: A3-B5), with various types of legato, tremolo, trills and staccato, rolls and vibes playing styles. Like all other Chinee Series instruments, the live playability of ChineeSuona is, again, the focus of the design. The audio demos here is an an exemplary showoff of what can be done with only one single Suona patch.