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  • Puremagnetik Waveframe for LiVE-DYNAMiCS
    July 13th, 2014 ⚡

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    Puremagnetik Waveframe for LiVE

    Team DYNAMiCS | 01/04/2010 | 133.98 MB

    Waveframe is an advanced wavetable instrument based on Ensoniq’s unique Fizmo synthesizer. Utilizing the same “Transwave” concept, Waveframe contains a collection of pre-programmed patches, over 30 waveform devices and over 1700 “frame” samples. Waveform frames can be modulated via retriggering within a patch. This gives a natural-sounding progression over time as each waveform spectrum evolves through its phases. By employing features only available within the Ableton Live environment, Puremagnetik has reconstructed the Fizmo architecture from scratch. From over 30 unique waveform groups, a generous selection of presets have been programmed that employ many of the same features as the original Fizmo. And just like on the original, each voice group is highly individualized giving patches a complex, evolving, and rich tone.



    Viewed 5537 By Music Producers.


    • Puremagnetik Punchpak for KONTAKT 2-NoGRP
      July 13th, 2014 ⚡

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      Puremagnetik Punchpak for KONTAKT

      Team NoGRP | 10-11-2007 | 36.10 MB

      A collection of sounds created from the 8 bit synthesizer chip on the classic Nintendo® (NES) gaming console. Put a classic Nintendo console in your sound production workstation. Puremagnetik sound designers have extracted this collection of blippy programs from the internal synthesizer of a classic NES. The NES board supported a total of five sound channels. These included two pulse waveduty cycle (12.5%, 25%, 50%, and 75%), with a volume control of sixteen levels, and hardware pitch bending supporting frequencies ranging from 54 Hz to 28 kHz. Additional channels included one fixed-volume triangle wave channel supporting frequencies from 27 Hz to 56 kHz, one sixteen-volume level white noise channel supporting two modes (by adjusting inputs on a linear feedback shift register) at sixteen pre-programmed frequencies, and one delta pulse-width modulation channel with six bits of range, using 1-bit delta encoding at sixteen preprogrammed sample rates from 4.2 kHz to 33.5 kHz, often resulting in poor sound quality. This final channel was also capable of playing standard pulse-code modulation (PCM) sound by writing individual 7-bit values at timed intervals.



      Viewed 2745 By Music Producers.


      • Puremagnetik Blip for KONTAKT 3-DYNAMiCS
        July 13th, 2014 ⚡

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        Puremagnetik Blip for KONTAKT

        Team DYNAMiCS | 01/29/2009 | 36.08 MB

        A unique collection of instruments, kits and looped beats sourced from the original Atari 2600 sound chip. Blip instantly transforms your computer into a lo-fi and gritty sound source that contains the full sonic palette from classic video games such as Pong and Space Invaders. Each sample program contains raw waveforms from the Atari 2600 that have been layered and processed for use in a modern software sampler. Blip’s Kontakt instruments and loop programs come loaded with effects, modulation routings and custom KSP GUIs for instant tweaking.



        Viewed 3583 By Music Producers.


        • Puremagnetik TeeBee MULTiFORMAT SCDS-AMPLiFYiSO
          July 13th, 2014 ⚡

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          Puremagnetik TeeBee MULTiFORMAT

          Team AMPLiFY | 02.27.2008 | 557.08 MB

          Formats included: Ableton, Kontakt, Live. The TB-303 is THE sound of acid and techno house music!. It’s a monophonic analog bass synthesizer married to a pattern-based step sequencer released in 1982. It features a single analog oscillator with two waveforms (saw or square) and has a simple but excellent VCF filter with resonance, cut-off, and envelope controls. There are also knobs to adjust tuning, envelope decay, tempo and accent amount. Puremagnetik has meticulously captured every nuance and style of the original TB-303 and programmed it for use in Ableton Live, Kontakt, Logic and GarageBand. Using advanced mapping techniques and extensive multi-sampling, TeeBee is a flawlessly cloned TB-303 for the modern DAW.



          Viewed 3488 By Music Producers.


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