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  • EMX Country Guitars v1.0.0 WiN MAC-R2R
    June 18th, 2021 ⚡

    EMX Country Guitars v1.0.0 WiN MAC-R2R

    EMX Country Guitars v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 12.28 MB

    The Country Guitars EZmix Pack presents a diverse collection of settings for all walks of vintage and modern electric country guitar. It comes with 50 unique, mix-ready tones based on amp/cab simulation and various chains of effects. In this pack, you get a wide array of tones covering anything from clean, up-close and intimate to dirty, mean and big – all designed to capture the broadest possible definition of electric country guitar. From the tube-oozing, plate and spring reverb-soaked tones for your next slow song to the rugged, transistor-fuming settings for your picking leads – this collection covers the whole gamut from vintage to modern.



    Viewed 7624 By Music Producers.


    • EMX Ambient v1.0.1 WiN MAC-R2R
      June 18th, 2021 ⚡

      EMX Ambient v1.0.1 WiN MAC-R2R

      EMX Ambient v1.0.1 WiN MAC

      TEAM R2R | 28.12.2016 | 11.2 MB

      The Ambient EZmix Pack is a collection of settings specifically aimed at creating large, reverberant soundscapes. A creative toolbox, perfect for use in atmospheric compositions spanning anything from motion picture scores to modern pop and a wide array of other musical contexts. It comes complete with ready-made amp/cab simulation settings for guitar and bass, including deep textures of bit crushed reverbs, bouncing delays and tremolos. Also, in addition to its settings tailored for vocals and drums, the Ambient EZmix Pack comes with a selection of signal chains designed to work on any melodic instrument – be it piano, organ, flute or guitar. But of course – any setting can be applied on whatever audio source you may have…



      Viewed 7885 By Music Producers.

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      • EMX Lo-Fi v1.0.0 WiN MAC-R2R
        June 18th, 2021 ⚡

        EMX Lo-Fi v1.0.0 WiN MAC-R2R

        EMX Lo-Fi v1.0.0 WiN MAC

        TEAM R2R | 28.12.2016 | 20.48 MB

        Modern sound design and mixing contemporary music often revolves around using vintage sound ideals and elements – tube sizzle, grit, distortion, vinyl noise. It’s an uprising against the digital revolution and an attempt to sand the surface off of what sometimes can come out too polished. This is where this collection of settings for EZmix 2 comes in – but with a twist. It goes beyond the obvious tape saturation settings, the compressors or the tube amps and rather focuses on the details – creative ingredients that can elevate your mix and lend you completely new ideas and landscapes of sound. Maybe a broken phone line setting on a vocal part, some vinyl noise on your intro or a bit crushed bass to spice things up?



        Viewed 5490 By Music Producers.

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        • EMX Metal Tones v1.0.0 WiN MAC-R2R
          June 18th, 2021 ⚡

          EMX Metal Tones v1.0.0 WiN MAC-R2R

          EMX Metal Tones v1.0.0 WiN MAC

          TEAM R2R | 28.12.2016 | 11.74 MB

          Having shaped the sound of acts like Whitechapel, DevilDriver, Trivium and Coal Chamber, Mark Lewis has risen to become one of the top names in modern metal production. One of his signature traits, always a given in any production bearing the Lewis sonic seal, is the wall of guitars – deafening, yet defined, balanced and distinguishable. In this collection of settings for EZmix 2, he revisited some of his classic productions to detract the essence of what made the guitars live and breathe. In addition, he created all-new tones from scratch. Expect anything from subtle finesse to raw, unadulterated power – tones capturing the entire range of the extremes.



          Viewed 7194 By Music Producers.

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          • EMX Metal Bass Beasts v1.0.0 WiN MAC-R2R
            June 18th, 2021 ⚡

            EMX Metal Bass Beasts v1.0.0 WiN MAC-R2R

            EMX Metal Bass Beasts v1.0.0 WiN MAC

            TEAM R2R | 28.12.2016 | 10.11 MB

            Tobin Esperance (Papa Roach), Evan Brewer (Entheos), Josh Paul (ex-Suicidal Tendencies) and Ryan Martinie (Mudvayne). Four top players from completely different ends of the scene deliver a collection of bass tones showcasing an incredible width. From tube-sizzling heavy rock tones and loud, distorted hi-gain metal settings to the complexly textured, mellow and organic. The Metal Bass Beasts EZmix Pack pinpoints the essence of rock and metal bass today and gives you a vast library of unique one-click settings, tailored for songs where the bass is all but just a frequency.



            Viewed 6031 By Music Producers.

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            • EMX Metal Guitar Gods Vol.4 v1.0.0 WiN MAC-R2R
              June 18th, 2021 ⚡

              EMX Metal Guitar Gods Vol.4 v1.0.0 WiN MAC-R2R

              EMX Metal Guitar Gods Vol.4 v1.0.0 WiN MAC

              TEAM R2R | 28.12.2016 | 10.48 MB

              The fourth title in the Metal Guitar Gods series presents 50 unique amp and cab settings modeled directly after the personal tones of four top metal players: Gus G (Ozzy Osbourne, Firewind), Jake Pitts (Black Veil Brides), Wes Hauch (Black Crown Initiate) and Michael Keene (The Faceless). Capturing their individual styles and preferences, this EZmix Pack presents a truly captivating and diverse collection of settings for metal guitar. Pummeling rhythm tones, soaring lead sounds, effect-saturated clean and ambient settings – the whole gamut from classic to extreme.



              Viewed 9692 By Music Producers.

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              • EMX Rooms And Verbs v1.0.0 WiN MAC-R2R
                June 18th, 2021 ⚡

                EMX Rooms And Verbs v1.0.0 WiN MAC-R2R

                EMX Rooms & Verbs v1.0.0 WiN MAC

                TEAM R2R | 28.12.2016 | 19.33 MB

                If you ask a group of mix engineers what they would keep if they were forced to strip their rigs down to a minimum, a solid source for ambience would likely be at the top of most people’s lists. Reverb is a key ingredient in any great mix, regardless if it’s an epic ballad or a thunderous metal track. It adds that subtle air, breathing room and has the power to elevate even the most mundane of material. Try it – mute all your ambience sources in a mix and you’ll see. With that in mind, getting real rooms and reverbs takes it to a whole new level.



                Viewed 10525 By Music Producers.

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