VSL Trombone Ensemble KONTAKT
P2P | Jan 12, 2012 | 4.32 GB
The Trombone Ensemble instrument from the Brass Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.
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The Trombone Ensemble instrument from the Brass Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.
The violin is the soprano instrument of the violin family (violin, viola, cello). It consists of three main parts, the body, the neck and the head, which are composed of a total of 80 separate components. The body not only gives the violin its characteristic appearance but also determines the sound quality as it is the instrument’s resonator. The neck plays an important role in playing technique and is about 13 cm long and angled slightly back from the body. The circumference is the same along its entire length which makes it easier for the left hand to slide up and down to different positions). The head, with the pegbox and scroll, is a continuation of the neck. The pegs, which are used to adjust the tension of the strings, are found in the four peg holes in the pegbox: the instrument is tuned by turning the pegs. The head is rounded off by the scroll. The fingerboard extends beyond the neck over the body and is important for intonation. The length of the fingerboard determines how far the range extends upward. The strings are stretched above and parallel to the fingerboard.
The violin is the soprano instrument of the violin family (violin, viola, cello). It consists of three main parts, the body, the neck and the head, which are composed of a total of 80 separate components. The body not only gives the violin its characteristic appearance but also determines the sound quality as it is the instrument’s resonator. The neck plays an important role in playing technique and is about 13 cm long and angled slightly back from the body. The circumference is the same along its entire length which makes it easier for the left hand to slide up and down to different positions). The head, with the pegbox and scroll, is a continuation of the neck. The pegs, which are used to adjust the tension of the strings, are found in the four peg holes in the pegbox: the instrument is tuned by turning the pegs. The head is rounded off by the scroll.
The Oboe instrument from the Woodwinds Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.
The tubing of the Viennese horn is 55% conical and narrower than the most commonly used double horn in F/Bb. The so-called F crook is not a fixed part of the Viennese horn but is detachable. Other tunings are used especially for natural horn parts. The three valves are Viennese valves (twin-piston valves) and are operated by the 2nd, 3rd and 4th fingers of the left hand. In contrast to the Vienna horn the double horn in F/Bb has rotary valves with an optional additional stopping valve. The higher pitch that results from stopping on the Viennese horn is not compensated for by a stopping valve but by playing the note a half tone lower.
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The choice fell on this organ because of its unbelievable power and sonority. Its volume is able to fill sovereignly the vast nave. It’s impressive percussive quality in the development of sound is an ideal case for recording samples. The great organ by Pierre Schyven /Salomon van Bever (1874/1912) is a discovery. Being the second greatest instrument of its builder it stands in the tradition of the symphonic organ in Belgium. Cavaille-Coll held Schyven in high regard and even today one can hear why.