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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Manic Compressor v1.1.x WiN MAC-R2R
    April 29th, 2019 ⚡
    Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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    Manic Compressor v1.1.x WiN MAC

    Team R2R | 28 Apr 2019 | WiN: v1.1.2: 10.1 MB | OSX: v1.1.3: 42.1 MB

    PLATFORMS: WiN32/64: VST/VST3/RTAS/AAX | MacOSX: AU/VST/VST3/RTAS/AAX

    Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW. Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.



    Viewed 4711 By Music Producers.


    • Hats v1.1.0 AU VSTi AAX x86 x64 WiN MAC-R2R
      April 25th, 2019 ⚡
      Categories: AAX, AU, macOS, VST, VSTi, WiNDOWS, x64, x86

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      Hats v1.1.0 WiN MAC

      Team R2R | Dec 30 2016 | WiN: 46 MB | OSX: 98 MB

      AU VSTi AAX x86 x64

      Hats is a drum synthesizer plugin dedicated to hi hats and cymbals sounds. It features two independent sources: synthesized noise and sample section. Instead of generic white or pink noise, the noise section features 6 square wave oscillators with different pitches and phases, like the famous TR808. The result is a noise sound with a controllable metallic character. The factory bank comes with more than 50 samples, ranging from rare analog drum machines to real acoustic hi hats and cymbals. Some of the samples were also processed with a classic Aphex Aural Exciter and recorded to tape with a vintage Revox B77 MkII.



      Viewed 6305 By Music Producers.

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      • TransReckon v1.0.1 AU VST x86 x64 WiN MAC-R2R
        April 25th, 2019 ⚡
        Categories: AU, VST, WiNDOWS, x64, x86

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        TransReckon v1.0.1 WiN MAC

        Team R2R | Dec 30 2016 | WiN: 6.5 MB | OSX: 10.4 MB

        TransReckon is a transient processor that will help you to add punch to your drum lines or put some instruments forward (or backward) in an extremely efficient way and with unexpected ease. TransReckon provides ‘Length’ and ‘Sensivity’ controls, a ‘Listen’ mode, a ‘Flat Sustain’ option and an integrated brickwall limiter. These options help to go further with the transient shaping process. They can be used to reduce artefacts when processing specific instruments (guitars, …) but they also offer new creative possibilities (gate and “pre-delay” effects on a natural reverb).



        Viewed 2984 By Music Producers.

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        • EARebound v1.0.2 AU VST x86 x64 WiN MAC-R2R
          April 25th, 2019 ⚡
          Categories: AU, macOS, VST, WiNDOWS, x64, x86

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          EARebound v1.0.2 WiN MAC

          Team R2R | Dec 30 2016 | WiN: 8 MB | OSX: 12 MB

          AU VST x86 x64

          EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.



          Viewed 3570 By Music Producers.

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          • ANALOG87 v1.2.0 AU VST x86 x64 WiN MAC-R2R
            April 25th, 2019 ⚡
            Categories: AU, macOS, VST, WiNDOWS, x64, x86

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            ANALOG87 v1.2.0 WiN MAC

            Team R2R | Dec 30 2016 | WiN: 15 MB | OSX: 41 MB

            The ANALOG87 series features 6 plugins.

            These have been designed and fine tuned “by human ears” and except for PR-EQUA87, you will not get a lot of visual feedback from them… just good sound.  They have been thought with this idea in mind : “your ears deserve trust” Not too long ago, we were listening to our mixes with our eyes closed, tyring to get the most information from our trained ears. We were not afraid of digital artifacts. No lights were blinking telling us how bad our equalization was and we were talking about how warm, smooth, punchy was the music and not how red, blue, and yellow it could be. Of course as time progressed, our computers provided visual feedback, making it easier for us to find mistakes that would have previously taken 10 hours of repeated listening to detect.



            Viewed 2890 By Music Producers.

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            • I Wish v1.01 AU VST AAX x86 x64 WiN MAC-R2R
              April 25th, 2019 ⚡
              Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

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              I Wish v1.01 WiN MAC

              Team R2R | Dec 30 2016 | WiN: 4.8 MB | OSX: 10.7 MB

              AU VST AAX x86 x64

              The one and only pitch freezer plug-in, I Wish is a pitch freezer plug-in. It allows you to take any sound – a vocal recording, a drum beat or even noise, and instantly freeze it in time and pitch. The pitch-frozen audio can then be manipulated and modulated to create highly musical mind bending effects and sounds that have never been heard before! Is it a synthesizer? is it an effect? Its both! Take any sound in the world, freeze it in time And sculpt mind bending sounds and music…



              Viewed 4335 By Music Producers.

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              • U-he Satin v1.3.0.4596 AAX VST2 VST3 x86 x64 WiN MAC-R2R
                April 25th, 2019 ⚡
                Categories: AAX, AU, macOS, U-He, VST, VST3, WiNDOWS, x64, x86

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                U-he Satin v1.3.0.4596 WiN v1.2 MAC

                Team R2R | Dec 30 2016 | 17 MB

                MAC v1.2 : P2P 21 October 2015 | 50 MB

                AAX VST2 VST3 x86 x64

                We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.



                Viewed 15616 By Music Producers.

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