Voices Of Rapture is our premier operatic solo vocal collection for Kontakt Player (VST, AU, AAX), featuring 4 outstanding singers covering the classical soprano, alto, tenor and bass ranges. This complete solution includes fundamental chromatic articulations like true legato vowel sustains, single and multi-syllable staccatos and Latin chanting sustains, with individual solo and combined ensemble quartet presets. It also comes packed with thousands of beautifully dynamic live performance phrases in various keys and tempos, with your choice of Pure Vowel, French, Latin and even Humming and Whistling categories. The Phrase presets are equipped with real-time step-sequencing, tempo control, phrase editing and other control features for maximum flexibility and intuitive playability. You’ll also find dozens of uniquely creative sound-designed atmospheric synths, drones and soundscapes that we’ve re-synthesized from these voices. They’re perfect for underscoring, reinforcement and ambient arrangements. Along with our full FX rack panel, they offer you nearly endless creative possibilities.
Together with Nichole Dechaine (Soprano), Kindra Scharich (Alto), Brian Thorsett (Tenor) and Joseph Trumbo (Bass), we captured a grand total of nearly 50 hours in our studio and carefully distilled it into this extraordinarily playable virtual instrument library for the Kontakt Player and Komplete Kontrol platforms. With a clean and simple interface, pristine fidelity and excellent vocal performances, Voices Of Rapture is your new go-to for classical and cinematic lead vocal arrangements.
•True Legato Vowels: Ah and Oo core vowels for the ensemble, with additional options for some individual voices.
•Vowel Sustains: Classic pure vowel sustains, covering Ah, Eh, Ee, Mm, Oh and Oo sounds in softer piano and stronger forte dynamics.
•Latin “Poly-Sustains”: 12 Poly-syllabic sustaining liturgical Latin words and short chants with speed control and simulated legato.
•Vowel Staccatos: Classic pure short notes for Ah, Eh, Ee, Mm, Oh and Oo vowels in softer piano and stronger forte dynamics.
•Latin “Poly-Staccatos”: 23 Poly-syllabic short notes with round-robin, covering a wide variety of liturgical Latin words.
•Whispers, Breaths and other vocal sound effects for added realism and expanded sound design possibilities.
•425 Atmospheric pads, ambiences, drones, sonic textures and evolving soundscapes hand-crafted from the raw vocal source. From smooth and celestial to brutally gritty and sinister, you have a huge range of choices that are perfect for layering, underscoring, sound design and electronic and hybrid music production.
Live Performance Phrase Elements
•A huge variety of over 3,200 natural melodic and dynamic passages in a variety of categories, tempos and root keys.
•Pure Vowel Phrases for Soprano, Alto, Tenor and Bass
•French Phrases for Soprano, Alto, Tenor and Bass
•Latin Phrases for Soprano, Alto, Tenor and Bass
•Whistled Phrases for Soprano, Alto & Bass
•Hummed Phrases for Tenor & Bass
•Powerful Custom User Interface with CC and host automation support for all major DAWs and Komplete Kontrol hardware and software.
•Main performance parameters include features like Swell, Attack, Offset, Release, Legato, Vibrato, Auto-Panning, Phrase Cross-fading, Pitch Shifting, Tempo-Sync/Time-Stretch, Unused sample purging, Articulation Key-Switching and Pitch Shift key-switching.
•Ensemble presets include a mixer panel with separate solo/mute, volume, pan and key range controls for each vocalist.
•Our FX Rack comes equipped with 18 powerful effect modules, each with configurable controls and customizable routing and chain saving/loading.
•119 integrated custom convolution IR samples in 10 distinct categories (Cathedral, Chamber, Large Room, Small Room, Hallways, Underground, Outdoors, Long FX and Short FX)
VOICES Nichole Dechaine received her Bachelor of Music degree from the University of Redlands and her Master of Music and Doctor of Musical Arts degrees in vocal performance from the University of California, Santa Barbara. She has performed a variety of leading roles in opera and musical theater productions, and regularly appears as soloist with numerous choirs, orchestras, and ensembles in the US and abroad. She enjoys working with many composers performing their works and recording for film. In addition to performing Dr. Dechaine teaches private voice and music courses at Westmont College and Santa Barbara City College and maintains an active private voice studio.
Kindra Scharich studied voice and piano at Eastman School of Music and earned bachelor’s and master’s degrees in vocal performance at the University of Michigan. She also completed her post-graduate education at San Francisco Conservatory of Music. Kindra has pre-sented recitals for the American Composer’s Forum in Los Angeles, Lieder Alive, the Wagner Society Northern California Chapter, and the Yehudi Menuhin Seminar in San Francisco. In the world of opera, Ms. Scharich has sung over 25 roles in the lyric mezzo repertoire, most recently and to much acclaim as Minerva in West Edge Opera’s production of Monteverdi’s Il ritorno d’Ulisse in patria.
Brian Thorsett has been seen and heard in over 90 diverse operatic roles. His 2012-3 highlights include the title character in Rameau’s Pygmalion, Nemorino in L’Elisir d’Amore and Jupiter in Semele. As a concert singer, Brian retains a stylistically diversified repertoire of over 200 works, which has taken him to concert halls across the US and Europe. He is a graduate of San Francisco Opera’s Merola Program, Glimmerglass Opera’s Young American Artist program, American Bach Soloists Academy, the Britten-Pears Young Artist Programme at Aldeburgh, England and Music Academy of the West. When not singing, Brian is on faculty at Virginia Tech.
Joseph Trumbo is a young, upcoming operatic bass singer studying at Oberlin College and Conservatory in Ohio. Joseph was a featured soloist in our Mars Symphonic Men’s Choir, as part of the Soundiron Olympus Symphonic Choral Collection. He has also performed with the SF Choral Society, Volti, Quire Cleveland, and numerous other ensembles and choral groups.
•13 GB installed (17 GB wav source)
•61 nki Kontakt instrument presets
•24 bit / 48kHz losslessly compressed NCW samples
•Works with the free Kontakt Player (version 5.5.2+)