Each of the 300 samples in Analogue Workshop Volume 1: Distortion & Feedback uses some form of either audio or control voltage distortion, feedback or general sonic ill treatment. A custom designed graphical interface has been scripted in Native Instruments Kontakt to provide even more variation and programming options.
This is rounded off by a set of impulse responses for the convolution reverb, taken directly from analogue modules such as spring reverbs and bucket-brigade delays to further enhance the overall sound character.
The sounds and patches included in this library range from earth shattering drones, twisted pads, piercing modulations and weird transmissions to eerily haunting feedback oscillations.
The one-shot section contains a range of crunchy, nasty, throbbing short percussive sounds and FX that can be used to spice up any drum kit or add impact to key moments in a musical composition.
There are over 500 Kontakt 4 format patches available which use the new custom designed GUI.
They are grouped into two basic categories, raw and untreated.
The GUI itself is split into two halves. The left containing the synth shaping controls whereas the right comprises an audio effects chain for maximum tweakability.
Technical data: 300 samples at 44.1Khz, 24 bit in WAV format .
Mixture of stereo & mono samples.
Raw audio recorded from the following analogue synthesisers: Roland System 100-M Serge Animal, Audio Interface, Dual Oscillator & custom panels Analogue Systems Analogue Solutions Doepfer A-100 Cwejman SPH2 & FSH1 Livewire, Metasonix, Harvestman, WMD & Flight of Harmony modules VCS3 Minimoog & Moog Voyager Metasonix TM-2 tube BP filter TLA Ebony A2Stereo Processor Recorded directly into Apple Mac using RME Fireface 400 audio interface. Samples edited in Bias Peak Pro 5 & Redmatica KeymapPro.
• 300 samples at 44.1Khz, 24 bit in WAV format Mixture of stereo & mono samples