Heavy Hitters Collection Volume II WAV
P2P | Dec 31 2017 | 5.84 GB
Impulse Response Libraries
With the advanced digital technology employed in the Sony DRE 2000, high-quality reverberation effects with a better signal-to-noise ratio, better frequency response and wider dynamic range can be added to incoming signals.
Altiverb 7 XL convolution reverb plug-in is a studio essential. For music production, Altiverb 7 XL is invaluable for adorning your mix elements with the just the right reverb. And if you’re in post production, you’ll appreciate the speed with which you can conjure the perfect ambience to match the scene you’re mixing.
The OwnHammer Multi-Mic Collection libraries provide a massive array of microphone and placement options for the discerning tone connoisseur that wants micro-level control over their guitar sound. The best power amp, DA/AD converter, cables, and microphone preamps for recording electric guitar are in the chain, and microphone selection and placement can cover all manner of source tones, even with just a single cabinet and speaker. The inherent techniques and overall sampling methodology allows for much diversity in this regard, and the readymade mixes give a fantastic starting point for experts and beginners alike.
The expanded H3000 D/SX & H3000 SE Captured with 24bit Lynx converters @ the units maximum SR of 44,100. Not many FX processors are as well-known or compete with the H3000x & rightfully so. This widely used (some might say overused) device is a studio must have. Equally known for its crazy modulation FX it’s Reverbs are in a world of their own.. Contains 114 IR’s from the Band Delay, Dense Room, Mod Factory, MULTI-SHIFT, Patch Factory, Reverb Factory, Sweep Reverb, SWEPT COMBS, & ULTRA-TAP algorithms.
For over three decades, the Celestion Vintage 30 has been the go-to speaker for players looking for a broad range of rock and metal tones. Now you can have its complex combination of tight bass tones, meaty mids and detailed highs as an official Celestion digital download. Whether at home, on the road or in a studio, get the impact, tone and attitude of the Celestion Vintage 30 with these impulse responses. Each cabinet has been recorded using three different pro quality microphones, each placed in six different placements – resulting in 18 recordings per cabinet. Eight additional tonal options were generated for each cabinet by combining different mic recordings together.
QUANTUM LEAP SPACES is a 24-bit, true stereo. convolution reverb that sets a new standard by utilizing new impulse recording techniques developed over the past seven years. An arsenal of the best gear that Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, TG (to name a few) have produced over the past 60 years was used to create QUANTUM LEAP SPACES. ATC monitors were positioned in the room/hall to emulate the real world sound projection properties of various instruments. So an impulse taken for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section impulses were taken by firing a series of speakers at an angle towards the ceiling, just like a real section. A fifth speaker with the high end reduced was fired towards the floor to emulate the body of the violins. This same methodology was used to record reverbs for rock instruments in various LA studios. Because of this, the reverbs in QUANTUM LEAP SPACES have a fantastic balance of early reflections and room sound that really draws a dry instrument into the space, rather than the usual “sound plus reverb” result.
Kaleidoscope is the ultimate sound-design tool and creative effects toy! It is an entirely new class of visual audio effects processors and is one of the most unique generative signal processing tools to come to market in recent history. Technically speaking, Kaleidoscope is a massively parallel bank of physically modeled resonators that can be tuned completely arbitrarily with scientific precision and dynamically modulated over time by over two million points of automation. In simplistic terms, Kaleidoscope uses pictures to control sound!
Synthetica for Iris is a soundset/sample library of 174 patches and 221 custom made samples recorded from various analog and digital synthesizers. It consists mostly of pads, but also playable textures, poly synths, bells and a few basses. The samples have been processed through a wide variety of plug-ins from Universal Audio, FabFilter, Lexicon, SoundToys, ValhallaDSP, u-he, Native Instruments, Zynaptiq, iZotope and others. Most of the samples have been processed specifically to sound good when played polyphonically, and the result is everything from complex, evolving waveforms to simple, basic building blocks. Synthetica is a collection of highly expressive and musical patches with lots of motion. They are mainly geared towards ambient, electronica, soundtracks for films, games and TV productions, as well as intros, outros and breakdowns for electronic dance music – or any other genres of music that needs an atmospheric touch. All patches have mod wheel assignments.