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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Mastering Equalizer v1.0.4.0 WiN MAC FiXED-R2R
    May 14th, 2019 ⚡
    Categories: AAX, AU, macOS, RTAS, Sonoris, VST, VST3, WiNDOWS, x64, x86

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    Mastering Equalizer v1.0.4.0 WiN MAC

    Team R2R | 13 May 2019 | WiN: 4.9 MB | MAC: 4.2 MB

    PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

    The Sonoris Mastering Equalizer (SMEQ) is a parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. It has selectable linear phase or minimum phase operation per band. The plugin is suitable for mixing and especially mastering and features 7 bands, including lowpass, highpass, peaking and shelving filters.



    Viewed 8497 By Music Producers.


    • Mastering Compressor v1.0.2.1 WiN MAC FiXED-R2R
      May 14th, 2019 ⚡
      Categories: AAX, AU, macOS, RTAS, Sonoris, VST, VST3, WiNDOWS, x64, x86

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      Mastering Compressor v1.0.2.1 WiN MAC

      Team R2R | 13 May 2019 | WiN: 4.6 MB | MAC: 4.0 MB

      PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

      The Sonoris Mastering Compressor (SMCP) is a wideband mastering compressor in VST, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean compressor suitable for delicate material. No odd harmonic distortion that can be found in most compressors is present in the SMCP. To reduce residual artifacts the SMCP features upsampling of the audio up to 8 times. Transparency can be further enhanced by selecting auto-release and feedback detection together with two soft knees. If a more aggressive behavior is needed you can for example choose feedforward detection with a harder knee. It can have some “character” if pushed. If needed, the audio can be warmed up with even harmonics with the flip of a switch.



      Viewed 12729 By Music Producers.


      • Multiband Compressor v1.0.0.0 WiN MAC FiXED-R2R
        May 14th, 2019 ⚡
        Categories: AAX, AU, macOS, RTAS, Sonoris, VST, VST3, WiNDOWS, x64, x86

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        Multiband Compressor v1.0 WiN MAC

        Team R2R | 13 May 2019 | WiN: 4.5 MB | MAC: 3.5 MB

        PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

        The Sonoris Multiband Compressor (=SMBC) is a versatile three band compressor in VST, VST3, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean processor, suitable for delicate material. It has three independent frequency bands, each followed by a compressor based on the Sonoris Mastering Compressor. The three bands are created with carefully designed Linkwitz-Riley crossover filters to avoid phase cancellation problems while having a very natural, analog like quality. By design they mix back flat. Unlike linear phase filters they don’t introduce ringing artifacts and are more efficient in use.



        Viewed 7081 By Music Producers.


        • Stunning Phaser v0.5.2 WiN MAC-R2R
          May 3rd, 2019 ⚡
          Categories: AU, macOS, VST, WiNDOWS, x64, x86

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          Stunning Phaser v0.5.2 WiN MAC

          Team R2R | May 03 2019 | WiN: 3.4 MB | OSX: 4.2 MB

          Stunning Phaser is an extremely high quality, stereo (or mono), internally oversampled, VST/AU phaser effect plug-in. In addition to the usual LFO, Stunning Phaser also offers a very organic and dynamic sounding envelope follower, multiple LFO waveforms, and our very own Gliss-quanti™ — an automatic sample-and-hold function that divides LFO waveforms up into discreet steps for exciting new possibilities you’ve never heard a phaser do before!



          Viewed 3046 By Music Producers.

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          • SCAMP v1.3.2 AU VST x86 x64 WiN MAC-R2R
            May 3rd, 2019 ⚡

            SCAMP v1.3.2 AU VST x86 x64 WiN MAC-R2R

            SCAMP VST v1.3.2 WiN MAC

            TEAM R2R | 02.05.2019 | WiN: 3.2 MB | MAC: 4.0 MB

            SCAMP is a resonant low/high-pass filter plug-in VST effect for Windows with a very convincing, classic sound. SCAMP features a separate envelope follower for each of 6 channels, a host-syncable LFO with multiple waveforms, as well as our special Gliss-quanti feature for creating staircased LFO waveforms from the basic waveshapes. Also supported is full automation and MIDI CC control of all parameters. SCAMP more closely models the actual circuit paths of real world analog circuits than most other common digital filter designs. For this reason it is also a far more processor-intensive effect, expect SCAMP to require processing power similar to the level of a powerful soft-synth. It may not be for every day use (or it may well be, depending on the type of music you make!) but on those days when you really want “the vintage filter sound”, SCAMP is the way to get it!



            Viewed 11136 By Music Producers.

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            • ReeLight v2.0.0 AU VST AAX x86 x64 WiN MAC-R2R
              May 3rd, 2019 ⚡
              Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

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              ReeLight v2.0.0 WiN MAC

              Team R2R | May 02 2019 | WiN: 100 MB | OSX: 14.4 MB

              PLATFORM : WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

              Reelight is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation / compression and overall sound and vibe and was created using own proprietary RTT technology (used in valvesque).



              Viewed 4318 By Music Producers.


              • Valvesque v2.0 AU VST AAX x86 x64 WiN MAC-R2R
                May 2nd, 2019 ⚡
                Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

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                Valvesque v2.0 WiN MAC

                Team R2R | 03 Jun 2017 | OSX: 118.9 MB | WiN: 21.7 MB

                AU VST AAX x86 x64

                Stereo Valve (Tube) Distortion EQ. The plugin models the sound of ritish Valve Distortion found on major hit records of today, and also features a Varislope Equalizer for always musically pleasing sound. Made with our proprietery Reactive Transients Technology.  The “warmth” and “crunch” that certain great valve gear brought to classic recordings is still missed today. Although many companies have tried to emulate classic valve hardware, we felt that we still needed to reach out to our hardware outboard for “that sound!” We were after that Classic British Distortion Valve Sound produced by the 5654 valve based equipment. Finally we decided to embark on the difficult journey of trying to emulate and get the sound signature of one of our favorite pieces of valve gear. In order to do this we needed to start from scratch. So we went a little back in time, much like the gear, and found a unique mathematical system to model our classic hardware, including all its detailed non-linearities. This modeling technology was then further designed and implemented by our team to measure how different transients “react” to valve gear.



                Viewed 6707 By Music Producers.


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